Category Archives: Lalit Mohan
|Drashti in the Dargah Sequence|
|Drashti’s Entry During Kurbaan Hua|
|The Entire Wedding Sequence|
|During the Early Morning Shoot.|
The opening sequence that was extremely hard to shoot as the shots needed to be captured during either dawn or dusk. We shot for two days, ten mins each in the morning and evening. It was challenging yet, came out perfectly.
|Golden Temple Amritsar|
Fan Reactions to work: I have worked on many shows before, but it was only after Geet that people started walking up to me and telling me how much they loved my style of lighting. To me, the light and the set-up define any scene even before the actors and the dialogues come in. I feel thrilled when people notice the efforts that go into putting together a scene.
The makers are as attached to the show as the fans associated with it, as to them it means waking up to a morning where they have no place to go to! With so many emotions to convey on screen, these creators have to live them each day. The end of a show surely means putting a grind halt to hoard of things that come along.
Niharika Vidya Sagar